INSIDE Mae West’s Private Hollywood Home of 48 YEARS

Most everyone in Los Angeles has passed the Ravenswood building on Rossmore, at least once in their lives. And most Hollywood freaks know it because it was Mae West’s home for 48 years and because there is a beautiful neon sign on top of it. Well, Mae West, if you were to look up her phone number up until the year she died in 1980, it was published as 469-5391. That was Mae West’s phone number. And a lot of times she would answer the phone, or her assistant, her Paul Novak, might answer the phone. But when Mae answered, sometimes she pretended to be her sister, but she herself would answer her phone. They have kept Mae’s phone number as the office management number. So, if you call that number, it is Mae’s old number, which is so cool. I have been in the building a couple of times because my friend Kimberly lives in Mae West’s old apartment, and going through the building was amazing. Going up to the roof, seeing that neon sign up close, was incredible. And Kimberly invited us in, like us, only me with a camera, to go in and document Mae’s home. Kimberly has opened up her doors to us and we can document Mae’s former home of over 48 years and Kimberly’s beautiful home where she lives today. So, here we go to Mae West’s home. Wow. Mae West’s home. How lucky are we? The beautiful Ravenswood. We used to say on the tour that her driver, her chauffeur, would drop her off and she would sashay in these front doors in her huge platform shoes, as we know as a fact because she wore platform shoes. In fact, we might even see a pair today.

Look at this. I wonder if they ever had a bell in here or something, like a front desk or something where they would get their mail. This is so cool, you guys. We get to actually go up. I think I heard somebody going in the elevator, so I will wait because it is a tiny little elevator. Are these here? Oh, they are here. They are here. Miss West’s apartment, please. Look at that. This is all original. I think Mae West used these elevators. Can you imagine? It is probably about this tall. Wow. Look, oh, this is so exciting. Miss West, you are not Mae West. This is Kimberly. Hey everyone. Hi everybody. Kimberly, the keeper of the Mae West keys, the keeper of the amazing apartment. Look at this place. Look at this place. You are so nice to let us come and have a look at this. Well, you are the first person I have let do this. That is the truth. It is an honor. It is a real honor because I have been here before, but to be able to actually document it and to share it with people who have never gotten to see this. Well, hopefully everybody will enjoy it and, you know, when I moved in, obviously my place is not done like her place was. Hers was all white and gold, but you know, it is decorated like I want it, but we always have tributes to Mae all around, which I will show you, and hopefully everybody will enjoy seeing it. Look at this, the windows are open, so the building is not air-conditioned. She had an air-conditioning unit in the window. Yeah. And it was probably like a back in the day it was probably a swamp cooler or something, but no, it is not air-conditioned. It is a little bit warm, but because it is a two-bedroom, there is a good cross-breeze. So, it is the best unit. Like people always say, “Why didn’t she move to the seventh floor?” And the truth is, she moved here because the seventh floor is hotter. And so, this was a way that she could be up high with a great view and still get the cross-breeze and not be with the heat of the room. Right. Okay. And over 40 years she was here. Huh. Yeah. She lived here 48 years. 48 years. Incredible.

Yeah. She had other places around town. She had a beach house in Santa Monica. She had a ranch in the valley, but this is where she spent most of her time. Wow. And I love that you knew that when you came. In fact, that was why I came. That was a censure, wasn’t it? And you came just to look at it. I came just to be nosy. And who wouldn’t, right? Yeah. And then I walked in and my husband, it wasn’t my husband at the time, my boyfriend at the time, Greg, who is now my husband, said, “Kimberly, this is the place you have been talking about, you know, high with a view, secure building as opposed to a lawn that I had been dealing with.” And so, and of course, the biggest draw for me was that it was Mae West’s apartment. And when I was 20 years old and moved to LA, I had come to the Ravenswood to look at it because a friend of my family’s had lived here when she lived here, and I couldn’t afford it. So, it was kind of sad when I was 20, but here I am now. No kidding. And look at this. Oh, gorgeous. Can you, oh, wow. Is that real? That is original to the building, but she had a chandelier there. Okay. I can only imagine. She would have to have a chandelier. I have to tell you about this door. Oh, yeah, please. So, this is one of the really cool things about the house and the apartment, and one thing that I am always trying to do is find traces of Mae everywhere. And this is one of the most authentic things in the apartment. So, in the 30s, she was robbed at gunpoint by the Purple Gang out of Detroit, and she testified against them, and they were threatening her life, so she put in a steel door. So, if you come real close, the paint is peeling, which has been great because I have never seen this before, but you can see the metal of the door there. Oh yeah. See that? So, this is the original peephole. The original door. Oh, how cool. So, is it bulletproof? It is bulletproof. Is it really? That is so wild. This one, and there is also a butler’s door in the kitchen, which we have covered with a cabinet, but both doors are bulletproof. Oh my gosh. Okay, show me more, please. This is so great. So, do you want to know celebrity stuff? Yeah. I won’t go into too much detail because there is a lot of it. But this cabinet, and there is another one in the other room, belonged to Elizabeth Taylor and Richard Burton.

You know, I just love the fact that you love Hollywood so much. I do. I love it. And you care for it. I love everything about it. And that is how we met, you know. It was such a funny story how we met at our garage sale at Newly Departed Tours, but I knew that you were somebody I wanted to have over and I loved what you did, and so I thought it would be kind of I knew you would want to come over and check it out. So, that was brilliant. Let me keep going. So, I love Johnny Cash, so I have several of Johnny Cash’s canes. There is another one in the hallway, and also his pocket watches are there. Oh my gosh. Let’s do Mae first, you know. Okay. This is another treasure in the house. My folks actually bought this for me for a housewarming present. I got it at Heritage Auctions. And this is the Mae West family crest. And let me show you this. This is a picture of Mae from probably 1940, and you can see this is the door into Greg’s music room. And there the banner is hanging in the exact same spot that it was when she lived here. No kidding. So wow, look at that. And how long would you estimate that this was gone from Mae and back in its place? Because I remember you telling me now because you hung it up, but you left the nail hole of hers, didn’t you? That you left the original nail hole. Good memory. So you can see the nail hole that she had up there. Is that it? Yep. That is it. Those were her nail holes. But this is the original rod and everything. Yeah. I just remember you wanted to preserve the nail holes because they were that she put in there. So that is so neat. And so how long do you think it was not in its place? Well, I know that she passed away in 1980, and so this would have been here until then and then probably likely her nephew, who inherited I think everything, he probably took it and later sold it, and so somehow it made its way to Heritage Auctions. I see. So it is from 1980 or 1981 till the time you got it. That is neat. And you can see on here, it is a really beautiful satin and it has the West crest on there. Wow, that is so wonderful. I know. Isn’t it great? All the metallic thread. So, it has been hanging here since 1930 and I thought it was appropriate to bring it back home.

Oh man, for sure. Now, this is a beautiful apartment. It is surprising to think she lived here for 48 years. It is not grand. It is a beautiful building. No, it is not. I mean, it was a lot more grand when she lived here because they had a doorman and all that kind of stuff, but you know, it is 1,750 square feet. That is significant. So, it is not a huge place, but you know, her beach house was huge, her ranch was huge. This was not huge, but I think that it felt like a New York apartment to her, which is I think what she was drawn to. I could see that. You know, the golf course looking like Central Park in a way. Yeah, I think she felt very secure here. At least that is the impression that I have read. A lot of my friend Michael Masho did a book called Between the Covers, and he took all the articles about Mae West that she had been interviewed for over the years from the time she moved in until the time she passed, and a lot of them were done here. So, you get a lot of her words about the Ravenswood, which is really special. Yeah, that is really cool. It is really special. So, okay, where do you want to go for more Mae? Sure. Yeah. Okay, let’s do that. Let’s do that because I want the kitchen too, if you do not mind. No, of course not. We are in your personal space. So, you are being very It is absolutely fine. You might want to back up, or you can maybe do it from the other direction. But this is photographed quite a lot, this arch with her in it. I have a great photo that I will show you, that she is standing there with a beautiful pink boa, and it is such a great shot. So, when she was doing all of her publicity, she would have the photographs done here. So, you often see photos of her with the musclemen, and they were taken in the apartment. You can see in the background like the arch or whatever, you know. So, where was she standing like when she did the standing here and looking towards this way? Or no, she was standing here looking towards the living room in the camera. The good light. Yeah, the good light. Now, did she ever keep like the curtains open? Did she have like natural light?

From what I have read, no. From what I have read, maybe she did at night. I do not know. But, you know, it is awfully dark in here at night. She was a night owl. She did not like to wake up until like three or something, is that right? That I do not know, but it seemed like she was a night owl. So, there are lots of pictures of her standing in front of the windows basically. She was shot all over this living room, which I will show you some photos and you can put them in your video. But, where was the piano? The piano, it is interesting that you ask, was in three different locations. I have photos of it in this room in three places. One right behind you here. Piano was here. The piano was also here. And so it was here, and then it was also here. Okay. And then for the from what I can gather by photos and looking at what is probably her age in those photos, it was the longest time in that corner back there. So, and it was a grand. It was a baby grand, you know. I do not technically know. It was not huge, but it was not small. Okay. It was all hand-painted and beautiful. It was up for auction, I think, a year ago. You are like, “I will let that one go.” Well, I really I really loved it. You know, it went for a lot. Oh, okay. But anyway, there are a lot of pictures of her in 1930 when she first moved in. I guess it would have been 1932 or right around there, of her standing in front of the windows, her sitting on a couch over here. All of her furniture was white and gold, and she had different times she had different carpets. When she first moved in, I think it was like a maroon color, and then it later on it was white, then became the angora marabou, you know. Yeah. That is my favorite Mae, you know what I mean? I mean, she was what she had not made a movie in like 40 years at between that and 610 or something like that, long 25 years maybe, like that. She was very busy, but she was doing plays and all kinds of stuff. And you know, the fact that she was such a trailblazer, I mean I look back on all the things she did in terms of women’s rights and saving Paramount and writing her own materials and how clever she was about putting in extra materials so that the censors would make her take out stuff, but she could keep in some of what she Oh, she would overdo it, would she not? So then, we they were not going to care about that. And then spending time in prison. Yeah, she spent six days there for for was it for the play Sex? Was that what it was? And was it the Was it because he had Well, she did another one called Drag, I think. But was it Sex, was it? For obscenity or something like that.

Put in jail for and the but going back to her being a trailblazer. I mean, she hired 50 drag queens to do the performance. Real drag queens, you know. She was such an LGBTQ supporter and she was just phenomenal. Yeah, I mean, by spending the time in jail, I mean, she took the bullet, you know. So much had progressed since then because it was so people do not understand how how I do not know what the term would be, but you know, people left England because it was too crazy over there. They wanted to become more conservative here, and she was just thumbing her nose at it. Well, not you know, she is just pushing the right buttons. I think she also got a lot of publicity from that jail stint. So, you know, when she when she talked I have read articles that she was talking about it saying, you know, she made friends with all the guards and she was fine, and it gave her a lot of publicity about the play, which was great, you know, smart. She is a smart, smart woman. So, I have just and using men as sex objects. She no one had done that before and they were just they were just like like Playboy bunnies, and Playboy bunnies were not even a thing when she was doing it. Yeah. So, that was that was really something. That was Yeah, it was. So, anyway, this is her space, even though it does not look like hers anymore. Whenever I have people over, I try to raise a glass to her and talk about her history, and I am such a fan of hers, and everyone that comes over, you know, really enjoys seeing her space. So, anyway, this was her living room. And if you want to go over to that window, you can see where she looks at Century City out this window. Oh. Oh, it is kind of a foggy day, but No, I can see it though. Yeah. So, Century City. Look at that. City is about there. I do not know how built up Century City was back in the day, but it is like to me, I never really put it together when you were saying it had that sort of New York vibe, is that, you know, with the park, with the golf course right there, it has it has got that certain And it would she would be looking we will see it, but she would be looking out her bedroom at that, would she not? Yeah. And also this whole street has, you know, as you see across the street, this whole street has a lot of high-rise buildings and so it has kind of a New York vibe. And this is seven stories, right? Yes. And we are on this in the sixth floor right now. All right. Wow. So, and then this way is the kitchen. And I It is so beautiful.

Two photos of her in the kitchen, and I have never seen any others. And they are both hers standing right here in this archway. I am going to scooch right over here. Sure. Now, this ironing board, when I talk about my traces of Mae, that ironing board is original. Okay. Do Now, people do not realize, I am not asking you to do it because but when old apartments, I do not know if it is everywhere, but in LA, you would open them and the ironing board come flat out. That is exactly it. And to me, this is probably one of the most authentic choices of Mae because the fabric that is on the ironing board has not been changed. Oh, how cool. Yeah. Do you want me to try and open it? No, no, no. Do not worry. No, no, it is okay because I know there is so much to see. There is a lot. So, there is. So, this is not This is original to the building like the entry, but not her original. She had a chandelier here as well. How did you find those? These? Yeah. Um the the landlord. Oh, nice. How nice that they appreciate what you are doing. Yeah, I think that they knew that my heart was to honor Mae. So, the kitchen the cabinets, the white cabinet, it is a tiny kitchen, but apparently she never cooked. So, the white cabinets up top are original. The cabinets below are original. And then these are original as well. And these have, you know, they are just places for your stuff. Oh, it is cool. And the little detail in those. Yeah. And that is original. That is neat. I have seen some pictures of the apartment from the 80s and all this was the same, but I put in the the black tile because the tile that was here when I moved in was white and chipped and in really bad condition, so I changed that out a little bit. And behind the black cabinet there on the left is the butler’s door, which is also bulletproof. Oh, so that goes out to the hallway.

Yeah, that goes Okay. So, she did not have to see him. Although she was not that way. Yeah. No, she was not that way then. But that was their entrance. That is neat. And then you have this is these are other original cabinets. Yep. That is the original. Wow. So that is the hallway when we came in. Okay. So, that is the their doors are side by side out there. Okay. Yep. Wow. Yeah. Clifton’s. Yay. Now, this unfortunately is not the stove that she used to use or they whoever cooked for her, which is probably Paul Novak. But when I looked at the apartment, it was the original stove. Oh, okay. When I came two weeks later to get the keys, they put in like a $100 used one from Sears. They took my original Oh, there is no key stove. Oh, yeah. I was really not happy. But anyway, so I found this one and it is, you know, something akin to what would have been here, but it is not the exact. Okay. Frustratingly enough. And while we are here, do you want to know about whose stuff is done? Yeah. Oh, yeah. Gosh. Yes. Um, that was done by Hedy Lamarr. Oh my gosh, that is wonderful. Let me see if I can get it without the without the end. Yeah, the glare. Yeah. This was Mary Pickford’s. Wow. And this was the original kitchen board at Perino’s restaurant. Perino’s. Yeah. What a wonderful Yeah. I I toured around the ruins, but you got in there. I got in there. That was really, really fun. Look at that. So, this was Oh, look at that. Monday, Tuesday. Perino’s, a famous restaurant, was on Wilshire Boulevard. Now it is the Perino’s apartment, I think. But that was a big That was when I first moved back to LA, and that is how I met Chris Nichols was there in the ruins. I did not know who he was at the time, but it was Yeah, that was something. The keys over there also were from Perino’s. All these This is You have not touched this. This is all exactly the way it was.

No, it is exactly what it was. That is so neat. Okay. And then you said the keys over there are from Perino’s. Oh, look at that. Okay, so Perino’s. Look at that. So Oh, those are the actual keys to Perino’s. Yeah, of course they are. Kimberly, they are cool. Yes. And above it is a Frolic Room napkin, because you know I love the Frolic. That is from the 50s or the 40s maybe. Wow. These chairs were Mary Pickford’s. Of course they were. I am saying that like they it just your home is so crammed full. I would not say crammed. I would say it is outrageous in the best way. You know what I mean? Because it is like everything you turn around, you go like, “What?” You know? Of course, it is Mary Pickford’s chair at your kitchen table, you know? But it is so I mean, I just love that you love this stuff. Thank you. I really do. I went to Tom Petty’s estate sale a few weeks ago and those are his coasters, and I have other things of his around, but the Petty coasters from Hollywood. No, but that is that is you collect who you love. Yeah, that is the thing. You would not just go to somebody’s house you did not like. No. And I do not buy anything that I do not like the person either. Yeah. I just will not. That is why bother. Why bother? Okay. So, this room, sorry, that is the cat’s pressure. This room has a lot of memorabilia. I showed you the Elizabeth Taylor. This is these chair these little side tables are also Mary Pickford. So, these were in Pickfair.

These were in Pickfair. Yep. That up there is Oscar Levant on the right above right above and below him is a painting by Phyllis Diller. Which one is that? Oh, right right. Okay. Oh, were we we were there short right around the same time you went to went to her house, right? Oh, that was amazing. That was amazing. That is still And I know that it is not. But I remember I asked because people do ask if that is Joan Crawford. They do. And it is not. It is Grayson Hall. It is who? Grayson Hall. Oh, I did not know you knew who it was. Oh, from Dark Shadows. Oh my gosh. That is Grayson Hall. And that is Cole Porter in the middle. And he was up here. Was he ever up here? I do not think so. Well, who knows? But that is true. I do not know that he was here. And then Robert Ryan has the yellow background over there. And then one of my favorite pieces is the Luise Rainer self-portrait. Oh. Which is she is in the greeny blue color. Yeah, I met her once. You did? Yeah. In London at Ian McKellen’s birthday party. Oh, that is amazing. And I got the brusher shoulder. I did not like That is incredible. Oh, yeah. I love the center back pillow. I just got at the top. The red one. The red one. Okay. That is my one of my favorite things. Okay. Then over here, well, can I ask you when you have these things, they are not hands-off, are they? I mean, if you wanted to sit on that, you wouldn’t go, “Oh, no, no, no, no. The pillow.” You are you are this is all comfort. I mean, it is all very nice, very stylish, but it is all, you know, you live it. You live it. Yeah. No, this is this is home and when I have people over, they sit wherever they want to sit and nothing is precious. I love that. I love that. And you are so generous with it. That is what I It is. You always So, can I come up? Yeah. You know, can I see the bedroom? Can I can I You know, and you are like, “Yeah, go on in.” And I I just You are so generous with it. And it was just like the nicest thing. Well, let me continue. Okay. So, this is a painting that Anne Jeffreys did. I got that at her estate sale. And then when I went over to James Garner’s house right after he had passed, and everything was frozen in time just the way he had done it. Wow. And these are all of his they were on his fireplace in the living room. All he liked these pottery I mean not pottery glass pieces.

I love James Garner. And this was Ozzy Osbourne’s lamp. I know. It is ridiculous. I know. But you wouldn’t go You are not in here going, “It is a museum.” No. You know, you are in here because everything is so beautiful. But now you are like, “Oh, yeah. That is a Oh, and I love that one.” These Oh, two things. So, the that piece is Elizabeth Taylor’s. And also that clown painting was Elizabeth Taylor’s in her house. I was going to ask you about that one. Okay. Okay. And then the two lamps were Bugsy Siegel’s from Linden Drive, do you think? Oh, no. Oh, no. Wait, that was Virginia Hill’s house. It would be the I do not know which the house that just sold recently. It was Linden Drive. Okay. Okay. And I know they were his. I am not positive it was Linden Drive, but I believe it was the I just saw something else that I wanted to ask you. Oh, no, you were going to say one more thing. You were going to tell me. Yes, that is I was going to ask you about the the centerpiece here. Oh, the bar. No, no, the the the G. Yeah. Yeah. Yeah. Um so, I am going to go up to it if you do not mind. Of course not. That G. Oh, and also while you are right there, so the G came out of the Hollywood Forever Cemetery. It was in the Masonic Temple. And at night, it lights up. It has got a really beautiful glow. Oh, I bet it does. Like alabaster or something like that. Yeah. Is that mica, you know? Mhm. Oh, yeah. Yeah. So, these were Tom Petty’s books. This was Cary Grant’s book. I have to show you this. This is really cool. You will love this. Oops. It is upside down. Oh, so I love Cary Grant. Yeah. And then these were this was Seymour Stein’s who you know managed the found discovered you know he Iggy Pop and the Ramones and all of them. Wow. This is so Cary had to have been up here for several years. Cary was up here.

He was very Scott. Oh really? Oh, it would make sense because they were very close. These this was Kathleen Hughes’s. I have a bunch of her brass pieces around you. See? Oh, the the Okay. The the incense. Yeah. And do you know who that is? I do not. Um it was an artist named Solashinsky who I found a bunch of his work in New York, and he was a New York artist. He did a lot of murals and stuff. And then that is the Elizabeth Taylor painting. I do not that was not in Mae’s. This was in Casa Kimberly in Mexico. Oh, I got it at Julien’s. This was I think in her Beverly Hills house or Bel Air house, which is gone now. Gosh, is it not sick? What are these people? I know. I know. Drives me nuts. Okay, so Oh, and below the May West Crest is Janice Paige. I just got that at an auction. That was Janice Paige’s. That is beautiful. And that rug is Elizabeth Taylor’s. And you let people walk on it. Yeah. And then the this is Greg’s Hall of Music. Oh, look at all that. Oh my gosh. Yes, there is here. And then there is Johnny Cash’s pocket watches and canes behind you. Look at this. Is that not fun? Yeah, it is. Oh, there is good old Mae. There she is playing the guitar. But yeah, we have Did she ever really play? To you now? I believe she did. Yeah. I love that album. I love that picture of her. Okay. And these are Johnny Cash’s watches. These are Johnny Cash’s pocket watches and cane. And then I have a bunch of other pocket watches, but I do not know who like this was James Garner. This was James Garner. This was Jack Webb. Oh, yeah. Okay. There is a a Jane Withers in here. There is a Priscilla Presley in here, but I do not know which one is which right now. And this one was Johnny Speed. That is Johnny’s. I did a whole interior design job just to buy the canes and the Really? Yeah. I did not care. Oh, look at that. Yeah. Is that real?

What? The tile. It has got to be real. So, this is all the tile in the house is original. 1930s. And there have only been that we can figure out there have only been maybe seven or eight people that have lived here since she passed. And so the tile is in pretty great condition, 30s. And do you look at the old heater? Yep. The heater. Did they did the others that lived here, were they Mae appreciative? Yes, very much. That is why I think they preserved everything so well. God, these that is so LA. And the Ravenswood there are I think four different colors in the bathroom. There is a green and black. There is a this kind of lavender. There is the gold like is in Mae’s room, and I think there is one more. Um, and what year was this building built? It was built in 1930 it started, and I think it was finished in 1932. She moved in in 1932. Oh, so she was she Yeah. Okay. She was one of the originals. Okay. Yeah. I do not think anyone lived here before she did. And then this originally had a door here, and so this was Miss West’s suite. So the door was closed when people would come over to interview her or whatever. This door would be closed. Oh, she would make her entrance from here. Yeah. And then this I have a picture. This open shelving here used to have a door on the front of it. Not when I moved in. It used to that was golden and white. And this was all her linens and stuff, I believe. Oh, and the closet right there that is mirrored, which she did not put the mirrors in, that was where she kept her furs and hats, I have been told. Wow. Oh my gosh. I am looking at Jimmy Stewart’s feet. Yeah, Jimmy Stewart’s shoe molds. This is probably where the most condensed there is Well, okay, let’s go to Mae’s stuff because I could I mean, here is Mae’s shoes. Oh. Oh. Oh, that is okay. The legendary platform shoes. Yes. And then there is some of her Oh, let me move John Lennon’s glasses. Um as you do these her favorite perfume was Joy. Oh, but those I mean she I mentioned it when we walked in, but those are not even as extreme as her shoes get. They they some of them get pretty extreme. Yeah, but that is the only pair I have. But you would never see them because she always had her those big gowns on, did she not?

Yeah. Let me show you this, too. If I can get it out without knocking over 25 things. I should have done this before you got here. This is the original rent check. Can you see that? Oh, yeah. Look at that. So, Ravenswood Apartments, $220.87, October 1937. But look what it includes for the money: rent, telephone, laundry, papers, and miscellaneous. Wow. So, they had a laundry on the premises, too. Laundry, but there used to be a like a a kitchen downstairs. Yeah, there was a kitchen. And there was a ballroom apparently and all kinds of stuff. I wondered that when I was in the lobby; I was wondering where that row of mailboxes is. I was wondering if there was like a desk there where they would have a clerk or something. It was just a I will show you a picture of because I have the original brochure from the Ravenswood. Well, that used to be the most beautiful room. And then the the room across from where the dining table is, that was the manager’s office. Okay. And the mailboxes were in the room where the manager is now. Got it. Yeah. So, but anyway, there is lots of stuff here as well. Okay. So, going to Do you want to go to her bathroom next, or you want to go to this room? Is that Is this Novak’s room? Yes, this is Paul Novak’s room. And this is now Greg’s music room. Look at that. Look at that archway. Oh, that is beautiful. So, this is Greg’s music studio. So, it has studio stuff everywhere. Oh, we love Greg. What a nice guy. He is the best. Oh, and ukuleles. Oh, cool. Oh, he has got instruments everywhere. Did you Is that the piano you brought to the shop for Liberace’s Day?

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